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Just Me & ChatGPT


All the sentences ChatGPT can’t write end up in my subconscious.
I’m pretty much a Luddite; I guess opposites attract.

I have more meds than apps, haven’t LIKED anything or anyone
in years; I think memes are the orphans of what could be if we ate
more roughage, completed the online course, added a dash of forgiveness.

On a June morning, two cups of coffee in, I fire up ChatGPT,
instruct it to write a poem about… ChatGPT; is it self-aware?

In a flash, three stanzas, the speed mindboggling—it’s verse, of course—
some dead and mixed metaphors, ornate, high concepts, words I’d never
juxtapose: it gilds the belly, bells the cow, squirms like a frog in a glass of milk.

It burrows like a virus, a precocious weevil down into my center, back up,
grows editor’s eyes, looking for a soft target, like my doughy middle-aged
English-degreed soul. I punch delete, unplug my computer, toss my phone,
hide under the bed, scribble a surrender note, no capitals

or punctuation, pure capitulation with a #2
pencil in illegible Catholic schoolboy
cursive on my
yellow legal
pad.

You win.



Ed McManis’ work has appeared in more than 70 publications, including
Coolest American Stories 2025. His most recent chapbooks are The Zombie Family Takes a Selfie from Bottlecap Press and Trash Truck 7:38am (And Other Love Poems) from Finishing Line Press. Little known trivia fact: He holds the outdoor free-throw record at Camp Santa Maria: 67 in a row.

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